The stage is set |
As we made our way to our seats, we noticed a couple of 'squaddies' at the edge of the theatre crowd dressed in camo trousers and vests - not the usual attire for YAT audiences. We squeezed into our seats and looked at the programme, noticing that there were 29 parts to be played, including three parts for women, by a cast of 14 men. The stage was set with various pieces of scaffolding, some wooden crates and a flagpole flying the English flag. The auditorium was packed and the doors were closed, but no lights went down. Suddenly the doors were flung open and a troop of soldiers marched in down the stairs to the stage singing as they marched. It certainly grabbed everyone's attention and we remained spellbound to the interval. - with just a dig in the ribs when Henry appeals to his troops to dive
'Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead. - - -
- - - The game's afoot:
Follow your spirit, and upon this charge
Cry 'God for Harry, England, and Saint George!'
Spoken from atop the scaffold and very rousing.
A capacity audience listen to the cast singing |
Part 2 was just as good as the first half and we were treated to ferocious battle scenes, a princess in the bath, as well as the emotional speech of Henry on the eve of the Battle of Agincourt, 25 October 1415 (St Crispin's Day):
The 'soldiers' march back to the auditorium |
From this day to the ending of the world,
But we in it shall be remember'd;
We few, we happy few, we band of brothers;
- - -'
At last the final couplet was uttered, the lights went down and a great cheer and applause broke out all over the theatre. What a wonderful response to this stirring production.
Propeller
Yvonne Arnaud Theatre
Lifeworks
About the feast of Crispin Crispian
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